At Reiver Instruments we hand craft stringed instruments using traditional methods and materials and where ever possible we try to source local tonewoods. The back of the inlaid cello you can see in our gallery is carved from Mid-Lothian sycamore.
We also work hard to make sure that every instrument brought to our workshop experiences the same level of professional care so it can achieve its full potential in tone and playability.
Narelle Freeman came to sunny Cumbria in 2014 and established Reiver Instruments.
Based about half way between Carlisle and Penrith in Cumbria, Reiver Instruments is home to the making and repairing of a range of stringed instruments from violins to double basses, acoustic, arch top, classical and electric guitars, mandolins, ukes, lutes, bouzoukis and cuatros.
About Narelle Freeman
Narelle has been a luthier for a bit over two decades and began by volunteering as an apprentice in a violin shop back home in Australia. She graduated from the Newark School of Violin Making in 2002, has taught violin making and repair at Chapel Violins and the Newark School, and was a Trustee for the Rowan Armour-Brown Trust. Narelle is a member of the British Violin Makers Association, Eden Valley Artistic Network, Guild of American Luthiers, the Galpin Society for the study of musical instruments and a professional member of the National Association of Musical Instrument Repairers.
There's going to be a book!!!
After a lot of research, writing and discussion I have decided to self-publish the book. So that means it will take a while as I will be working away in the wee hours on the book after my day in the workshop.
The book will focus on the art of the traditional luthier. These days a luthier is mostly associated with guitar making but there is a very interesting history and some great stories behind the craft of musical instrument making as we know it now. More to come...
How we can help...
Stringed instruments made of timber are always reacting to the changes in temperature and humidity as well as the forces applied to them from the tension of the strings, which means they are subject to all sorts of potential issues with the set-up and sound. This is one of those times that you can blame your tools if it just isn't playing right. If you would like to discuss any problems please email or call and Narelle is always happy to advise remotely whenever possible.